Homesick

Autumn in Fort Wayne,
Indiana, solely known
From my love's tristesse:
The browning leaves he misses,
First snow, furrows in his brow.

I despise airplanes;
But if I had the money,
We'd fly back and forth
From the glades of Florida
To Indiana's corn fields.

The Reason

Whip me
into shapes
of low, submissive
apology;
put your name
on each corner of the cudgel
you scour me with.

There's a reason—when it comes from you:
harsh reflections drawn from your own
dissatisfaction and insecurity,
the daunting vacuum of the future—
there's a reason it feels right
for me to take such heavy-
handed excoriation.
I deserve it.

When you hold peril above
my head, I remember my mother
pleading, what could she do for me,
and my barbaric answer,
kill me.

I look (admittedly with shame)
at the several scars up and down
my wrist and arm;
I recall
the frenzied self-inflicted batterings.

Life before you resurrected me,
I've told you, though it's impossible
to really know; but when your eyes
widen with insanity,
with mania,
with sick rage,
it's a mirror to my history.

Not only do I deserve the castigation,
you deserve the patience I got.

I had wanted less and less,
to be distilled into nearly nothing.
You want more and more,
to overflow with endless bounty.
Neither of us excelled to such extents,
but in self-abasement our tears are one.

Bash me with disdain
for wanting nothing more,
you have the right if I believe
that you should humble your expectations.

What's more difficult,
to grow from nothing into something, or
to shrink from dreams to a single datum?
Hopefully somewhere
in the middle,
where we draw each other,
is the right place for us.

Certainly it's more difficult
to be found in your circumstances,
nomadic, isolated, uprooted;
I can never fathom the horror
of watching your mother deteriorate,
jaundiced and dessicated until
she finally passed away.
Without Mom I would
have self-destructed.


You're right
when you tell me I don't know you.
We have our differences,
but I want to give you
the things I have that you never did.

Rain at Work

You love to hear the sky in
tumult, grimly booming
in the morning overhead.

The rustling curtains
of showers whipped
over the trees and roadways,

Spilling through commerce's
arteries, washing away
a few would-be commutes,

Pattering upon the roof,
and the few times the doors open,
echoing from the street,

Mixes with the buzzing
freezer hum drowning
the consumer pop out.

Hallelujah!
the peace of white noise,
a fleeting wave of bliss.

A siren cuts the drone,
emergencies arising
from a wet road perhaps.

What's the price of my leisure
when I'm supposed to be working?

I suppose I should
prefer them in here to out there
if it's a question of danger.

Either way work
will be slow;
rain rain go away,

Come again another day;
probably come every day,
but at least I'm off tomorrow.

I guess that just means I
can enjoy the rain
without getting paid to do it.

We do whatever we do,
it dwindles to a drizzle,
the sun swells like business.

People come and go,
time mercifully quickens,
sirens continue to travel.

The clock is a sliding scale
moving from negotiation
in public to private and back.

A smile is a worthy tool, makes
things easy; easy things
don't last long.

Cutting Grass

I never minded 
Cutting grass (it's just a chore)
Until his outrage;
The next time I took notice,
Frantic grasshoppers cornered,

Butterflies driven
From screaming engines of blades,
Surviving despite
The razing of their green homes.
Before week's end they've grown back.

And from the neighbors'
The crimson cardinal and
His tawny feathered
Mate return to our trees with
The red-headed woodpecker.

Something I’m trying to hold onto

Always insisting 
on the most extreme
nothingness,

Bitter and afraid—
not of being ignored,
you've never been noticed—

But of having to wait
in the incalculable queue,
already dwindling and gray.

Unwilling to gamble
living in vain (until when?)
you want another nothing? Now?

Nothing is nothing,
yet here you are:
something I'm trying to hold onto.

Splashes of colored ink,
papier-mâché fantabula,
cryptic libido,

Note taken of the yellow-
striped grasshopper
who climbed over your shoe.

Afraid of inertia,
quiet home days
indistinguishable from graves.

But we have luck, not pine,
we have four walls and more;
we have time.

Though we're aging, yet to emerge,
bottle up each vintage of art
with experience and tenderness.

Each episode
when I call you or you call me
in excitement, look!

The cardinal in the backyard tree;
the woodpecker
rapping on the windowpane.

We are small,
but we have small things
that can sustain us.

Since we weren't born
into great things,
let us accumulate

These tiny, common
miracles anyone
can have, yet these are ours

And ours alone;
when you dream of blood,
wake up beside me.

Problems of Experience

It's strange, I've always lived near water, but
I've never been on a wave-striding ship;
Never traveled on the char-belching train,
Nor to a metro ever descended.
I've flown twice, both times were quite unpleasant.
I did ride the bus once on a late night.

My own quandary of opportunity:
In some ways too much, others not enough.
Born into a lens both close and remote,
An existence both strange and typical,
A small life of idiosyncracies
Spinning on the fringe of a family,

Abiding in the shell of employment,
And scuttling among intimate sands
Which only a temporary few see.
Individuated yet standardized.
Delivered to concrete nurseries sat
On top of systems of gray tumuli.

The cloistered taste of a car ride to work,
The connectivity that bores straight through
Hearts of peoples, a cavern of fogged glass
Hazing infinite personal corners.
A secret trend of water which becomes
Grinding dust piling in obscurity.

Everyone's. Intimate universals.
I don't think it's hell anymore, but he...
And it's only because of him I don't.
He needs an assurance that I can't give,
A worth assessment I'm unqualified
To draft. Appraisals all proffered in vain.

The art of life hides in single vignettes,
In cringe-inducing squeaks of affection
Only one other is allowed to hear;
Which circumstances set the scene for that:
The way his eyes touch me across the room,
Two dorks who somehow found each other's life.

He begs me, how will I recreate him
When he succumbs at last to hopelessness;
How can I fashion his desire's likeness,
How characterize his need for purpose,
His sketching hands working wood waywardly,
His eye that shutters on rainbow fabrics;

I hope someday he comes around, accepts
Life as we could be sharing it right now.
He could unfold into so many sparks.
Rather than smoldering rage from the past,
He can rekindle brilliant burning tears
Dropped from a point-of-view only he knows.

Our problem lies in our experience.
What secret language is ours to convey
Nebulous commonalities distilled,
The nighttime jokes incomprehensible,
But in our bed makes laughter reign supreme.
Bike helmet with inverted cyclist crest.

If everyone has something they could share,
Is the key not in how these looks are framed?
We thirst for novelty of perspective;
What's something only we'd know of?
Did you ever hear the one about the
Famous Satanist? He Thelema dick.